| Daniel Fiorda creates a sort of phenomenological machinery with an intrinsic strength; a sort of anthropomorphic figure possessed with a radical ethos.
The viewer encounters thick masses of curvilinear metal shapes and centrifugal forces , with sharp ends as weapons or extremities as legs .
They articulate memories of limits and boundaries of a primordial body. They evoke a biological entity, an insect , a bird , a fish , or a human body is a ecstatic process.
Milagros Bello , Ph. D
Miami –based art critic
Senior editor : Arte al Dia
|
